![]() ![]() His tone is feathery, but there’s some throwback 1970s soul vamping going on as well, especially during the orgasmic, falsetto climax (“ You got to know, baby, oh, you gotta know/That I adorn you!”). “I remember the first time I heard ‘Adorn,’ ” Pitts recalled of the triple platinum hit that sounds like it worships at the altar of Marvin Gaye’s 1982 classic “Sexual Healing.” Miguel wrote, produced and recorded it in his home studio in 2011, inspired by his love affair with actress and future wife Nazanin Mandi. That dude is magical.”Ī decade after the album’s release, RCA Records president Mark Pitts, who signed Miguel to his ByStorm Entertainment imprint in 2007 when Pitts was president of urban music at Jive, is still raving about Kaleidoscope Dream and its first single, “ Adorn,” which was originally introduced on Miguel’s Art Dealer Chic EP series in early 2012. His music puts you in a zone … in his world. And I love artists who are strong songwriters. “The thing I noticed early on was Miguel loved playing his guitar,” said bassist and Platinum Sound founder Jerry “Wonda” Duplessis, whose warm production can be heard on Kaleidoscope Dream. 5 in the Village Voice’s long-running Pazz & Jop top 100). By December 2012, Kaleidoscope Dream was on a plethora of year-end “best of” lists (topping a ranking from NPR and No. The album showcased an artist entering his prime as a vocalist, lyricist, producer, and musician. ![]() 25 marked the 10th anniversary of the release of Kaleidoscope Dream, an album in which Miguel shared the adventurous genre-jumping that had Donny Hathaway, Radiohead, Curtis Mayfield, David Bowie, Prince, Grace Jones, Sade, Jodeci, M83 and The Knife all sharing space in his playlist. Related Story On ‘Renaissance’ Beyoncé is at her curatorial best Read now “Now, I want to make sure that everything I do is the best, most rounded projection of who I really am.” And that projection would be sexy, profane, whimsical, and, at times, dark. On All I Want is You, he sounded more in his element on the sad boy, electro soul sound of “ Girls Like You” than he was on the dance number “ To the Moon.” “With my first album, not only was I being misunderstood, I was misunderstood, and it was distracting people from the music,” he told The Fader in November 2012. Miguel, born Miguel Jontel Pimentel, was raised by a Mexican American father and an African American mother in San Pedro, California. Still, he bristled at attempts by Jive Records executives to push him to play the role of the prototypical crooner of the day (see: Bobby Valentino or Trey Songz). His first record, a scrappy slow burner, sold modestly. His sophomore release, Kaleidoscope Dream, was a personal and professional gamble for the then-25-year-old. The R&B troubadour was dissecting a track for the follow-up to his 2010 debut, All I Want is You and there was a lot on the line. “No, we can do more,” Miguel told a sound engineer during a marathon spring 2012 recording session at New York’s Platinum Sound Recording Studios. ![]()
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